Where is the BROWN in the rainbow?

mountain range under rainbow during night time

Photo by Austin Schmid on Unsplash

Photo by Austin Schmid on Unsplash

mountain range under rainbow during night time

If you look at a rainbow, you won't see any brown. It isn’t part of the ROYGBIV (red, orange, yellow, green, blue, indigo, violet) list we learned as kids.

The colors you do see in the rainbow appear when sunlight hits water droplets and bends, splitting the light into its component wavelengths.

All colors in the rainbow (called spectral colors) are associated with a particular wavelength of light. All else equal, light at about 450nm will typically appear blue, light at 605nm will typically appear orange, and light at 740nm will typically appear red.

Some colors don't have a single wavelength associated with them. These nonspectral colors (e.g., beige, puce, cornflower blue) can be created by combining multiple wavelengths together.

For example, magenta is nonspectral: we can perceive it when short wavelength and long wavelength light appear simultaneously. There is no single wavelength associated with magenta.

Given the apparent absence of brown in the rainbow, you might expect that it is nonspectral, like magenta is. Perhaps the only way to make brown is to combine multiple wavelengths.

However, brown is—in a way—right there in a rainbow! It can indeed be associated with a single wavelength of light.

mountain range under rainbow during night time

Photo by Austin Schmid on Unsplash

Photo by Austin Schmid on Unsplash

So why can't you see the brown in the rainbow? The answer depends on how our eyes and minds create our experience of color.

Color theorists typically describe colors based on their:

  • hue: this is what people typically mean when they say "color". Different hues are shown as you move around the color circle shown
  • saturation: this refers to purity or how far the color is from white. More saturated colors are shown on the outer edge of the ring, less saturated colors appear near the center.
  • brightness: this represents the total amount of light present. Darker colors are lower on brightness.

Hue, saturation, and brightness all vary independently.

Red and orange differ in hue

Red and pink differ in saturation: pink is a whiteish red

Red and maroon differ in brightness: maroon is a dark red

So how do we go from one of the fully saturated, bright colors you see around the edge of the color circle to brown?

We start with orange,
and turn down the brightness.

Watch the video below to show how changing brightness changes the circle on the right from orange to brown.

Brown = dark orange!

Another way to demonstrate the relationship between brown and orange is to take a light filter that is described as brown and shine light through it. . .

It looks orange!

This means it's impossible to have a brown flashlight: if there is enough light present for it to be visible, it will appear orange!

So the same stimulus may look brown or orange depending on how bright it is. . .or on how bright we believe it is.

In the checkerboard below, the two circles are exactly the same color (hue, saturation, and brightness).

However, we tend to interpret the one near the bottom as brighter (more orange) than the one near the top.

The one nearer the bottom appears to be in shadow, so we are correcting for that perceived darkness and seeing it as brighter (oranger) than it is.

These examples reveal just how tightly linked brown and orange are. They are only distinguished by brightness, or by our expectations of brightness.

Is it surprising that brown and orange are so closely related?

It’s not surprising that starting with red and turning down the brightness leads to . . . dark red. Even if we call it maroon instead, it isn't surprising that making red somewhat darker leads to maroon, because we generally think of maroon as a type of red. This is not the case with brown; most people would not describe brown as a type of orange. Brown and orange feel psychologically different in a way that most shades that share hue and saturation don't.

This may be partially driven by our language.

The English word for brown comes from Old English and has been used as a color term since 1000CE. In contrast, the word "orange" didn't exist in Old English. The closest thing was "geoluhread” (yellow-red). In 1390, Chaucer described a fox as having a color “color was betwixe yelow and reed" because there didn't yet exist in English a word specifically for orange. But by the mid 1600s, the word was commonly used in English.

What happened between 1390 and 1600?

Portuguese traders brought sweet oranges from India to Europe, and English speakers had our first contact with the fruit!

So the color term orange takes its name from the fruit.

The fact that English didn’t have a name for the color orange until the 16th century means that things that are actually orange that were named before then are often called red instead.

Red hair, robin redbreasts, and red squirrels are all actually orange in color, but we've been talking about them since before a word for orange existed in English! Orange may feel like a unique hue (different from bright brown) because it was a relatively late addition to English.

woman in black and white plaid shirt with red hair

Photo by Ivy Shirn on Unsplash

Photo by Ivy Shirn on Unsplash

a red squirrel eating a nut in the grass

Photo by Jonny Gios on Unsplash

Photo by Jonny Gios on Unsplash

mountain range under rainbow during night time

So the wavelengths associated with brown are indeed hidden right there in the rainbow, but the brightness and our mental representations of color prevent us from seeing it!

Created by Julia Strand, PhD

Carleton College, Northfield, MN, USA

More explainers: juliastrand.com/explainers